This is a very good collection of portable softwares which everybody should have. There are seventy great products inside, so enjoy.

Ralph Nelson Elliott (1871-1948) was of that rarest of breeds, a true scholar in the practcal world of finance. His fascinating theory of stock market behavior is remarkably unique in that it goes way beyond the usual "get rich quick" methods so characteristic of the bulk of the literature.

Over the years the Wave Principle has had a profound effect on a small coterie of investors who not only have the ability to recognize a theory of immense practical value, but who have the ability to appreciate the aesthetic beauty of the human experience in the abstract.

Three decades is enough time for investors to deem a book about an investment method as "classic," and surely the jury is in on this one: Elliott Wave Principle is now published in seven languages, and continues to sell thousands of copies every year. In Europe, Asia and the Americas, literally millions of investors worldwide use or recognize the Elliott Wave method for profitable investing.

Take a moment to look over your books about investing. Have any of them given you a successful method for making profits and reducing risks? Is there even one such book that has proven reliable over the years?

Warpaint is the first studio album from the Black Crowes in seven years — not that you can really tell. The Crowes still bang out that old-school boogie that might be three or four decades old if it wasn't brand-new. All the obvious ingredients that fueled their 1990 debut, Shake Your Money Maker, are still in place, from singer Chris Robinson's Jagger swagger to the band's Faces-style barroom juking. Even Robinson's battles with his brother/guitar player Rich, apparently dormant for now, have always come straight from the Kinks' playbook. If the Crowes are derivative, they wear that tag with pride; it's exactly what their fans love about them.

Warpaint starts off strong —the first third of the album reveals some of the best range and craft of the band's career — but songs like "We Who See the Deep" are just too unfocused to be memorable. "Evergreen" is a sweetly propulsive love song, but can't Robinson do better than "Come make love in the sunshine/Come let's share our pain"?