Autodesk Softimage 7.5 (formerly SOFTIMAGE|XSI) is a complete 3D software for visual effects and game production. Built on a new, highly extensible architecture, Softimage gives you the power and flexibility to bring your creative visions to life quickly and profitably. Softimage features Interactive Creative Environment (ICE), a new platform for building effects and tools visually using a node-based paradigm. Powering ICE is a high-performance parallel processing engine that takes advantage of multi-core workstations, giving you the utmost performance and scalability. The result is a giant leap forward in production efficiency and consistency that culminates in higher production standards.

Autodesk® Toxik™ software is a node-based digital compositing and visual effects solution with advanced image processing capabilities. The software’s architecture is built around its ultra-high resolution interaction and high dynamic range imaging (HDRI) core, which allows you to work interactively and intuitively with virtually any visual media, regardless of bit depth or image size.

With its intuitive toolsets, open architecture, and high level of interoperability with Autodesk® Maya® software, Toxik is the ideal compositor for independent 2D visual effects artists to large-scale film and broadcast facilities.

Autodesk Toxik software brings compositing and visual effects tools to high-end 2D effects artists working at HD, 2K, 4K or above, in film, television, and design.

Find out more about why Toxik is the ideal companion to Autodesk Maya 3D modeling, animation, and visual effects software.

Key enhancements include Render Pass and Render Layer Import from Autodesk Maya and a suite of tools to support stereoscopic productions.

Autodesk Maya® (formerly Alias Systems Corporation) - Academy Award® winning software is the world’s most powerfully integrated 3D modeling, animation, effects, and rendering solution. Because Maya is based on an open architecture, all your work can be scripted or programmed using a well-documented and comprehensive API (Application Program Interface), or one of two integrated scripting languages. This, combined with an industry-leading suite of 3D tools, means Maya enables you to realize your creative ideas. Maya also adds to the quality and realism of 2D graphics. That’s why Autodesk Maya is used by film and video artists, game developers, design visualization professionals, and students to create engaging, lifelike digital images, realistic animation, and extraordinary visual effects.

The ultimate version of Maya—Autodesk® Maya® Unlimited—is the choice of digital artists who are looking to make their 3D projects stand out. Maya Unlimited includes all the functionality found in Autodesk Maya Complete and provides professional artists and animators with additional industry leading-innovations such as Maya Fluid Effects, Maya® nCloth, Maya Hair, Maya Fur and Maya Live, for the creation of superior digital content.

Autodesk Maya Unlimited contains everything in Autodesk Maya Complete, plus:
- Maya Hair
- Maya Fluid Effects
- Maya Cloth
- Maya Fur
- Maya Live

LightWave® v9 is the perfect combination of power, speed and value. Long considered one of the easiest 3D animation systems to learn and use, LightWave 3D® is versatile enough for any application from award-winning visual effects to stunning hi-res print graphics, dynamic video games, powerful motion graphics and more. LightWave offers modeling, animation, dynamics, volumetric rendering, particle effects and a motion picture quality rendering engine with unlimited render nodes making LightWave the centerpiece of the most cost effective 3D production pipelines in the world.

LightWave 3D is a complete solution right out of the box that includes three different operating systems to meet your particular production requirements: Windows® 32-bit, Windows 64-bit and Macintosh®. LightWave for each operating system comes with unlimited render nodes. LightWave also supports the latest generation of dual-core and multi-core processor systems at no additional cost.

LightWave v9 introduces new interface paradigms, such as a Node Editor for materials and surfaces, volumetric lights, and displacements. Exciting new physically correct cameras have been added, allowing artists to recreate any real world camera lens, and have footage rendered in LightWave match real world photography (a must for compositing CGI and real footage together). These cameras can also be extended into the hyper-real, or even bizarre, as any mesh object can itself be made into a camera and record a scene. The possibilities are limitless.

New techniques for displacement mapping, and support for ZBrush® displacements have been added. New shading models, such as Blinn, Oren- Nayar, and Ambient Occlusion now allow for a tremendous versatility for artists no longer bound by the original shading model in previous versions of LightWave. Of particular note are the new shaders for sub-surface scattering, anisotropic specular and refl ection shaders (which allow for hromatic aberration), easy to use and offering a spectacular visual impact.